127 |
THOMAS BARCLAY HENNELL Two workers with a horse and a hay cart in an open landscape, open downland beyond, watercolour, 11" x 19" Exhibited: "A Countryside Collection" January - March 2000, Museum and Art Gallery, Worthing, West Sussex £300-500 | Nil |
|
400 |
| 128 | THOMAS BARCLAY HENNELL An open landscape with distant buildings and trees, watercolour with traces of pencil, 12.75" x 18.5" According to the vendor the artist's sister, Betty Hennel, identified this work may represent Ridley, North Kent. £150-300 | Nil |
|
150 |
| 129 | THOMAS BARCLAY HENNELL A threshing machine and a traction engine, with numerous figures and a dog, watercolour with pen and ink and some pencil, 16"x 22.25" Exhibited: "A Countryside Collection" January - March 2000, Museum and Art Gallery, Worthing, West Sussex £400-700 | Nil |
|
720 |
| 130 | THOMAS BARCLAY HENNELL Potato picking in an open landscape beneath a stormy sky, signed, inscribed and dated "Ridley 1941", watercolour with pen and ink, 12" x 18.5". See illustration Exhibited: "A Countryside Collection" January - March 2000, Museum and Art Gallery, Worthing, West Sussex £300-600 | Nil |
|
520 |
| 131 | THOMAS BARCLAY HENNELL Sheep dipping outside a barn, signed, watercolour with pen and ink and traces of pencil,12.25" x 18.75". See illustration Exhibited: "A Countryside Collection" January - March 2000, Museum and Art Gallery, Worthing, West Sussex £300-600 | Nil |
|
560 |
| 132 | THOMAS BARCLAY HENNELL Horses, a traction engine and numerous figures beside a threshing machine, a ladder in the foreground, titled and dated "Pease Hill, March 1923", watercolour with pen and ink and traces of pencil, 12.75" x 19". See illustration Exhibited: "A Countryside Collection" Janaury - March 2000, Museum and Art Gallery, Worthing, West Sussex £300-600 | Nil |
|
520 |
| 133 | THOMAS BARCLAY HENNELL "The Last Wheatfield", signed and dated 1942, watercolour with pen and ink and traces of pencil, 12.25" x 18.75". See illustration Exhibited: The Royal Watercolour Society, Autumn 1942, no.3. £300-600 | Nil |
|
460 |
| 134 | THOMAS BARCLAY HENNELL "Orchard Cottage", signed and dated 1938, watercolour with pen and ink and pencil, 12.5" x 19" and another watercolour of an open landscape, the verso with an unfinished cloud study, 12.5" x 19.25" (unframed) (2) Exhibited: According to an instruction on the reverse the view of Orchard Cottage was exhibited at The Royal Watercolour Society in 1938 £100-200 | Nil |
|
560 |
| 135 | THOMAS BARCLAY HENNELL "Newington", with men loading a horse and cart with sheep, downland beyond, inscribed on the reverse, pen and ink, 12.5" x 19" (unframed) £80-160 | Nil |
|
80 |
| 136 | THOMAS BARCLAY HENNELL Farmworkers resting beside a ladder at the base of a hayrick, the reverse authenticated by the artist's sister, watercolour, 11.5" x 19" (unframed) £100-200 | Nil |
|
280 |
| 137 | THOMAS BARCLAY HENNELL "Sacking Potatoes", beneath a stormy sky signed, and the reverse inscribed with the title, watercolour with ink wash, 12.25" x 19" (unframed) £100-200 | Nil |
|
540 |
| 138 | THOMAS BARCLAY HENNELL Figures building a haystack with a horse and cart, figures and a dog in the foreground and trees beyond, signed, watercolour with ink wash, 16.25" x 19" and the verso with an open landscape by the same hand (unframed). See illustration £300-500 | Nil |
|
660 |
| 139 | THOMAS BARCLAY HENNELL "A group of trees" with a haystack in the foreground, dated on the front of the mount 1922 and inscribed on the reverse with the title, artist's name and a note of authentication by his sister Elizabeth Hennel, watercolour, 9.5" x 12.25". (unframed) £60-120 | Nil |
|
160 |
| 140 | THOMAS BARCLAY HENNELL "Kings Down Mill" with a figure and a dog in the foreground, , titled and dated on the mount 1923, watercolour, 7.5" x 11", and two other watercolours by Hennel including "Ploughing a Field", signed (unframed) (3) £100-200 | Nil |
|
260 |
| 141 | THOMAS BARCLAY HENNELL A view of a country house in a landscape with a bicycle in the foreground, possibly Beechborough, near Folkstone, May 1943, extensively inscribed on the reverse, watercolour with ink wash, 12.5" x 19" (unframed) £80-160 | Nil |
|
100 |
| 142 | THOMAS BARCLAY HENNELL "Meopham, Court Lane", signed and the reverse inscribed with the title and date 1939, watercolour with ink wash, 12.5" x 18.75" (unframed) £100-200 | Nil |
|
260 |
| 143 | THOMAS BARCLAY HENNELL Two horses and a cart with two figures in an open landscape, indistinctly inscribed "... Hill Ridley 6th August", watercolour with ink wash, 10.5" x 18.5" (unframed) £200-400 | Nil |
|
520 |
| 144 | THOMAS BARCLAY HENNELL "Sacking Carrots", signed and the reverse inscribed with the title, watercolour with ink wash, 13.25" x 19.5" (unframed) £200-400 | Nil |
|
420 |
| 145 | THOMAS BARCLAY HENNELL "Barn at Stansted, Parsonage Farm demolished 1927", inscribed, ink wash, 13" x 12.25" (unframed) £50-100 | Nil |
|
220 |
| 146 | THOMAS BARCLAY HENNELL "Church Farm, Sellindge, Kent", with figures, horses and carts outside open barn, haystacks and an oasthouse, signed and the reverse inscribed with the title, 12.5" x 18.75" and another pen and ink study, entitled on the reverse "Strawstack on Fire" (unframed) (2) £150-300 | Nil |
|
230 |
| 147 | THOMAS BARCLAY HENNELL "Threshing Machine" with a traction engine and numerous workers observed by two boys with bicycle, signed and the reverse inscribed with the title, pen and ink, 12.25" x 18.75" (unframed) £100-200 | Nil |
|
260 |
| 148 | THOMAS BARCLAY HENNELL "Haymaking, Ash next Ridley July 1941", signed and the reverse inscribed with the title and date, watercolour and ink wash, 12" x 18.25" (unframed) £200-400 | Nil |
|
260 |
| 149 | MATTHEW WHITE RIDLEY "Hop Gatherers - The Bull, East Farley", monogrammed, titled and dated 1871, bodycolour and watercolour over traces of pencil, 9.75" x 14" and the companion painting of "Hop Gatherers" (2). See illustration £400-600 | Nil |
|
650 |
| 150 | PETER LANYON "West Coast", signed and dated (19)51 lower left and the back of the frame inscribed "Lanyon 1951 West Coast", gouache, 19" x 24.75". See illustration Provenance: Probably acquired from Gimpel Fils, 50 South Molton Street, London W1 in 1968. Private Collection, West Country. Peter Lanyon was born in St. Ives and became one of the most famous of the St. Ives group of artists. A major retrospective exhibition of his work was held at The Tate Gallery, London in 1968. £5000-10000 | Nil |
|
22000 |
| 151 | CANADIAN SCHOOL, early 19th century A view of Montreal, oval, watercolour and the companion view of Quebec, watercolour, 11.25" x 8.25" (unframed) (2). See illustration | Nil |
|
6000 |
| 154 | CONTINENTAL SCHOOL, 19th century A boy with a goat in a mountainous landscape, oil on canvas, 15.5" x 12" £300-500 | Nil |
|
|
| 155 | FLEMISH SCHOOL, 17th century The Saviour and St. John with attendant figures beside a classical temple, in a painted foliate border, inscribed on the reverse, oval, oil on oak panel, 6.75" x 6.25" (unframed) £100-200 | Nil |
|
|
| 156 | CIRCLE OF THOMAS GAINSBOROUGH A portrait of a young woman with a green ribbon in her hair, oval, oil on canvas, 17" x 14" (unframed). See illustration £200-400 | Nil |
|
2600 |
| 157 | FRENCH SCHOOL, 18th/19th century A family at a dining table, oval, oil on panel, 12.5" x 15.5". See illustration £400-700 | Nil |
|
|
|
158 |
NORTH AMERICAN SCHOOL, 19th century(?) Eel fishing at night, the reverse inscribed on a label, oil on board, 11.25" x 16.75". See illustration Provenance: Sir John Saville's collection of pictures at Rufford Abbey 1888, no. 15. £500-1000 |
Nil |
|
2200 |
