750 |
A REGENCY MAHOGANY CASED SCOTTISH LONGCASE CLOCK with circular white painted dial with Roman numerals, subsidiary seconds and date dials, the eight day movement striking on a bell, the arch top hood with twin brass pinnacles, the trunk with arch top door between canted stop-fluted columns, 82" high. See illustration #1500-2500 | Nil |
|
1400 |
| 751 | A GEORGE III MAHOGANY CASED LONGCASE CLOCK by Roland Johnson of Liverpool, the brass arched dial with silvered chapter ring with Roman numerals, with central subsidiary seconds dial, ring turned date aperture and winding holes, the dial with pierced cast cherubs head spandrels, with moon phase above, the eight-day mechanism striking on a bell, the arched top hood with moulded cornice above twin berre eglomise panels, the door flanked by fluted columns, the trunk with crossbanded arch top door, flanked by recessed quarter columns on conforming base with short bracket feet | Nil |
|
4300 |
| 752 | A BRASS MICROSCOPE by C. Baker of London, no. 13355 in fitted mahogany carrying case with carrying handle, 13.5" #100-200 | Nil |
|
140 |
| 753 | A SINGLE TRAIN FUSSEE SKELETON CLOCK, the movement within two elaborate scrolling and pierced brass plates, the pierced silvered dial with Roman numerals, on mahogany and satinwood finished base, 17" high. See illustration #350-550 | Nil |
|
360 |
| 754 | AN EARLY 20TH CENTURY BAROGRAPH by J. Cameron & Son, Kilmarock, of traditional design with central mounted thermometer, in a glazed oak case with integral short drawer, 14". See illustration #200-400 | Nil |
|
440 |
| 755 | A GEORGE III OAK CASED THIRTY HOUR LONGCASE CLOCK by Ayrey of Hexham, the brass dial with silvered chapter ring with Roman numerals with central date aperture, fake turned winding holes and nameplate, surrounded by pierced rococo type spandrels, the thirty hour movement striking on a bell, the flat topped hood with central moulded cornice, the trunk with arch topped door between recessed quarter columns, 81. 5" high . See illustration #1000-1500 | Nil |
|
|
| 756 | A VICTORIAN VIENNA REGULATOR STYLE WALL CLOCK, the two part ceramic dial with subsidiary seconds dial and Roman numerals, the eight-day movement with twin brass cased weights, the case of traditional form with single glazed door between applied fluted columns, 41" #300-500 | Nil |
|
200 |
| 757 | A GEORGE III OAK CASED LONGCASE CLOCK by John Wyld of Nottingham, the brass dial with chapter ring with Roman numerals and Arabic minutes, with central subsidiary seconds dial, date aperature and ring-turned winding holes, flanked by pierced and cast spandrels, the eight-day movement striking on a bell, the flat topped hood with moulded decoration, the door flanked by gilt topped columns, the trunk with arched topped door on square foot, 86" high. See illustration £1000-2000 | Nil |
|
2200 |
| 758 | A GEORGE III OAK CASED LONGCASE CLOCK by John Hallett of Lyme, the painted dial with Roman numerals, subsidiary seconds dial and date aperture with floral painted spandrels, the thirty hour movement striking on a bell, the flat top hood with moulded detailing, the door flanked by twin columns, 74.5" high. Tribe & Whatmoor record John Hallet as working in Lyme Regis between Circa 1790-1842 £600-800 | Nil |
|
1500 |
| 759 | A VICTORIAN BRASS CASED BRACKET CLOCK by John Clark of Greenock, the case with pierced and cast architectural gothic style decoration, the eight-day movement striking on a bell, the case stamped F & D, 16" high. See illustration #800-1500 | Nil |
|
|
| 760 | A VICTORIAN CONTINENTAL OAK FRAMED WALL CLOCK, the circular dial with applied enamel hours with Roman numeral markings, the case with bobbin turned gallery above frieze carved paterae, the dial flanked by twin fluted and spiral fluted columns, 24" #200-400 | Nil |
|
180 |
| 761 | A GEORGE III OAK LONGCASE CLOCK by Roger Cossins of Crewkerne, the brass dial with Roman hours and Arabic minutes, with central floral decoration, with pierced and cast spandrels, the thirty hour movement chiming on a bell, the hood surmounted by carved gilt cherubs and central scrolling detail, the door flanked by turned gilt columns, 85" high. See illustration #600-800 | Nil |
|
650 |
| 762 | A 19TH CENTURY FRENCH GILT METAL AND MARBLE MANTEL CLOCK by Miclet of Beauvais, the circular enamel dial with floral painted swags, the eight-day movement with outside count-wheel mechanism striking on a bell, the movement within gilt metal case with foliate border, with urn form decoration above, the base with four column support and gilt swag decoration on shaped base with turned gilt feet, 16" high £400-600 | Nil |
|
360 |
| 763 | A WILLIAM AND MARY MARQUETRY LONGCASE CLOCK with movement by Whitehurst of Derby, the brass dial with silvered chapter ring with Roman hours and Arabic minutes, with central date aperture and pierced cast spandrels, the eight-day movement striking on a bell, the hood with raised arched top with scrolling seaweed and floral marquetry, above pierced brass grill, the trunk door with central circular glazed aperture surrounded by floral and scrolling marquetry within a border of seaweed marquetry, the foot similarly decorated, 88" high. See illustration £4000-6000 | Nil |
|
6500 |
| 764 | A GEORGE III MAHOGANY CASE LONGCASE CLOCK by Eardley Norton of St. Johns Street, the brass dial with silvered chapter ring with roman hours and Arabic minutes with central seconds sweep with subsidiary date dial and strike/not strike dial, with chinoiserie style pierced spandrels to the corners, with moon phase dial above, the eight day movement with dead-beat escapement, striking on a bell, the case with arched hood with dentil moulded cornice, the arched top door flanked by cast gilt mounts, with fretwork side panels, the trunk with arch topped door, 83" high. See colour illustration £8000-15 | Nil |
|
12000 |
| 765 | JOHN RUSSELL of Falkirk, watchmaker to His Royal Highness the Prince of Wales, a mahogany cased wheel barometer, the white painted scale with subsidiary 100ths dial and recording dial, with thermometer above, the case surmounted by gilt Prince of Wales Feathers and gilt rope-twist mouldings throughout, the thermometer and lower panel with verre eglomise panels, 55" high. See colour illustration | Nil |
|
20000 |
| 775 | A NORTH WEST PERSIAN RUG the dark blue/black ground worked with a central panel with fifteen rectangles containing candelabra, hooked boteh, within floral and lozenge pattern outer borders and guards, 52" x 36" #30-50 | Nil |
|
25 |
| 776 | A TEKKE BOKARAH JUVAL the brick red ground worked with six "elephants foot" ghuls within hooked boteh and floral pattern outer borders and wide selvedge, 47" x 28" #50-100 | Nil |
|
110 |
| 777 | AN AFGHAN RUG the red ground with a central panel worked with two rows of elephants foot ghuls within outer borders and guards, 53" x 35" #30-50 | Nil |
|
45 |
| 778 | A PERSIAN RUG of Tabriz type, the burgundy ground with a central ivory and pale blue floral medallion within conforming spandrels, 86" x 56" #100-200 | Nil |
|
|
| 779 | A NORTH WEST PERSIAN PRAYER RUG, the blue ground with a central ivory prayer niche worked with a red boteh and tarantula motifs within borders and guards, 48" x 30" #30-50 | Nil |
|
|
| 780 | AN AFGHAN TRIBAL SMALL CARPET the burgundy ground with a central red and blue stepped medallion within floral spandrels and hooked boteh medallion outer borders and guards, 110" x 84" #100-200 | Nil |
|
100 |
| 790 | A REGENCY STYLE TRIPOD TABLE with circular marble top with pierced gilt metal gallery on a turned and spiral turned column on three downswept legs with ball feet, highlighted with gilt throughout, 28. 5". See illustration #300-500 | Nil |
|
|
| 791 | A SET OF FOUR EARLY VICTORIAN MAHOGANY SALON CHAIRS with carved "balloon" backs, drop-in upholstered seats on sabre front and rear legs, #100-200 | Nil |
|
480 |
| 792 | A GEORGE II MAHOGANY SUPPER TABLE the circular drop flap top on four turned pad foot legs with gate leg action, 47" wide. See illustration #600-1000 | Nil |
|
760 |
| 793 | A GEORGE III OAK SIDE TABLE, the rectangular top above a single short drawer with moulded border, on square tapering legs, 24" #200-400 | Nil |
|
200 |
| 794 | A VICTORIAN TAPESTRY PICTURE of flowers and foliage mounted as an occasional table on a Victorian aesthetic period base with gilt incised decoration, 32.5" #150-250 | Nil |
|
|
| 795 | A WILLIAM IV ROSEWOOD VENEERED WORK TABLE, the rectangular top with serpentine sides above a single short drawer and fabric lined sewing basket on "U"-form support and turned column on a lobed circular base with four scrolling feet, 22" #300-500 | Nil |
|
280 |
| 796 | A VICTORIAN WALNUT VENEERED KIDNEY SHAPED WRITING DESK, the leather lined top with raised and pierced gallery above three frieze drawers, on "X" form base, 42" wide #200-400 | Nil |
|
290 |
|
797 |
A GEORGE III STYLE MAHOGANY DINING CHAIR in the manner of Thomas Chippendale, the back with pierced back splat and carved top rail, the outswept arms with scrolling arm supports, on heavy cabriole legs with leaf carved decoration and generous ball and claw feet, £100-200 |
Nil |
|
90 |
