PF040702 Lot:271-325

271	ENGLISH SCHOOL, 19th century "Waiting in Anticipation", on artist's panel bearing the label of Charles Roberson & Co, 99 Long Acre, London, 6" x 4" (unframed). See illustration #100-200	Nil
272	MANNER OF HENRY ALKEN "Set To", with two cocks fighting, indistinctly inscribed on the reverse, oil on panel, 6.5" x 8.25" and three companion paintings, all indistincyly inscribed with the title on the reverse (a set of four). See illustration #1500-2500	Nil
273	GERTRUDE M COVENTRY A river landscape, signed, oil on canvas, 18" x 24". See illustration #250-450	Nil
274	ENGLISH SCHOOL, circa 1920 A portrait of a young girl in an interior, oil on canvas board, 20" x 14", and a red chalk preparatory sketch of the same subject, indistinctly signed, (2). See illustration of the first #300-500	Nil
275	M...JEFFRIES "A steam locomotive - Rio Grande, 488" with a wooded hillside beyond, signed, oil or body colour, 33.5" x 45". See illustration #300-600	Nil
276	ARNESBY BROWN An extensive landscape with a figure on a track in the foreground and a viaduct beyond, indistinctly signed, oil on canvas, 38" x 52.5". See illustration	Nil
277	ITALIAN SCHOOL, late 15th century (?) A portrait of a young man wearing a red cap and tunic, oil on panel, 6.5" x 5", in a black painted and parcel-gilt frame with a moulded border painted to simulate intarsia. See illustrationProvenance: Formerly in the collection of Harold Peto, Esq, Iford Manor, Wiltshire and thence by descent.	Nil
278	ATTRIBUTED TO BENEDETTO DIANA Salvatori Mundi, oil on panel, 23.5" x 16.25". See illustration Provenance: Formerly in the collection of Harold Peto, Esq, Iford Manor, Wiltshire and thence by descent. We are grateful to the National Gallery, London for suggesting the attribution on the basis of a photograph and drawing comparison with a painting in their own collection (no.2725)	Nil
279	EUGENE VERBOECKHOVEN "Sheep Dog Guarding his Flock", signed and dated "Eugene Verboeckhoven f. 1860", oil on panel, 23" x 32". See illustration Provenance: The Cooling Galleries, London and Toronto. Haynes Art Gallery, Toronto. Richard Green, London, Private Collection Monmouthshire and Dorset.	Nil
280	HENRY NELSON O'NEIL, ARA "The Picnic", signed and dated 1857, oil on canvas, 12.5" x 19.5". See illustration Provenance: Sold at Christie's, London 16th October 1981, lot 27 for #7000 The MacConnal-Mason Gallery Private collection USA Private collection Hertfordshire, England	Nil
300	AFTER T. FARINGTON R.A. "View of Somerset Place including the Adelphi, published by W. Byrne, 1791, coloured engraving, 19" x 27.5" (unframed) Ł100-200	Nil
301	AFTER THOMAS SHOTTER BOYS "The Custom House", coloured print, 14.25" x 14.5" together with another work by the same artist "The Bank looking toward the Mansion House" (unframed) (2) #100-200	Nil
302	AFTER P.R. MORRIS AND S.J.CARTER "A.G. Freestone, Esq." a gentleman on a horse, print with white highlights, 22.5" x 28", together with another coloured print after C.C. Henderson "Waking Up" (2)(unframed) #100-200	Nil
303	AFTER DAVID ROBERTS, R.A. "City of Tiberius on the sea of Gallilee, April 22nd 1839", published by F.G. Moon, 1844, coloured prints, 17" x 23", and another similar by the same artist "Caiphas, looking towards Mount Carmel" (2)(unframed) #100-200	Nil
304	AFTER HENRY ALKEN "Symptoms" A collection of eight comical prints, published by Thomas McLane, 1822, 10.25" x 13.5", together with three further prints "The Two Journals" comical prints relating to the visit of the Tsar London, 1814, 10.5" x 16.25" (unframed) (11) Ł100-200	Nil
305	AFTER THOMAS MEDLAND "West front of the honourable, the East India Companies College, Hertford", published by Thomas Medlam, 1808, colour print, 14.5" x 18", together with nine other prints of schools and interiors, by various artists and publishers (unframed) (10) Ł100-200	Nil
306	AFTER RICHARD PATON "The distressed situation of the Quebec and the Surveillante, a French ship o'war ..." published by John Boydell, 1780, engraving, 20" x 24.5" (unframed) #100-200	Nil
307	AFTER LIEUTENANT MONTAGUE O'REILLY OF HMS RETRIBUTION "The Bombardment of Odessa, April 22nd 1854", coloured engraving, 16" x 23. 5" together with a collection of thirteen other prints of naval scenes by various artists and publishers (unframed) (14) #100-200	Nil
308	AFTER THOMAS SYDNEY COOPER Study of cattle in a barn, coloured print, 13.5" x 20", and two similar prints together with twelve coloured studies of birds (unframed) (15) #50-100	Nil
309	AFTER THE REVEREND WILLIAM BRADFORD "Pass of Manzanal" published by J. Booth, 1809, coloured print, 10.5" x 14" and seven other similar by the same artist, with descriptive sheets (15) (unframed) #50-100	Nil
310	ENGLISH SCHOOL, 18th century "Ruins of Athens - Temple of Jupiter, Olympius" published by Robert Sayer, engraving, 13.25" x 19", together with a collection of other similar prints and a number of maps (a lot) (unframed) #80-150	Nil
311	AFTER G. FARRELL Grasse, black and white etching, 11.75" x 18", and three others by the same artist (4) (unframed) #100-200	Nil
312	AFTER J. MAURER "A view of Westminster Bridge from Lambeth", published for Stowes of Surrey 1754, coloured engraving, 15" x 15", and a collection of similar views of London scenes (a lot) (unframed) Ł80-150	Nil
313	AFTER W.W.C. VERNER "Valley of Abu Klea", coloured print, 10.75" x 15", and five other prints from the same series (6) (unframed) Ł60-120	Nil
314	AFTER GILBERT HOLIDAY "The Last Post Memorial Service at St. Pauls Cathedral for the Royal Regiment of Artillery, St. Georges Day 1919", signed in pencil in the margin, colour print, 25" x 19", and two other prints (3) (unframed) #60-120	Nil
315	AFTER COURVOISIERS "Vue du pont du jardin du roi", coloured engraving, 16.5" x 21.25", together with five further views of Paris (6) (unframed) #100-200	Nil
316	AFTER L. KNUFF "Withame in ye County of Berks one of the seats of the Right Honourable Earl of Abingdon", coloured engraving, 20.75" x 24.5", together with another similar print "The Seat of William Chalaner ..." and 7 others (9) (unframed) #60-120	Nil
317	AFTER RIOU View of the Suez Canal, coloured print, 14.5" x 21.5", together with five further scenes of The Suez Canal (6) (unframed) Ł200-300	Nil
318	AFTER C.D. BARRAUD "Picton Harbour", coloured print, 22" x 17", together with five further views of New Zealand (6) (unframed) Ł200-400	Nil
325	A PAIR OF GILTWOOD AND GESSO PICTURE FRAMES of 18th century design, the moulded frames with panels of flowering branches on a pounced ground and the corners wrapped with acanthus leaves, the outer frame with spiralling ribbons enclosed by formalised borders, 58.5" x 48.5" (2) #300-500	Nil

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